Wood Identification Guide

by Eric Meier

When attempting to identify a wood sample, it’s important to keep in mind the limitations and obstacles that are present in our task. Before starting, please have a look at The Truth Behind Wood Identification to approach the task in a proper mindset; I consider the linked article to be required reading for all those visiting my site with the intent of identifying wood.

1. Confirm it is actually solid wood.

Before proceeding too much farther into the remaining steps, it’s first necessary to confirm that the material in question is actually a solid piece of wood, and not a man-made composite or piece of plastic made to imitate wood.

A solid piece of Cocobolo: note how the grain naturally wraps around the sides and endgrain of the wood.

Can you see the end-grain? 

Manufactured wood such as MDF, OSB, and particleboard all have a distinct look that is—in nearly all cases—easily distinguishable from the endgrain of real wood. Look for growth rings—formed by the yearly growth of a tree—which will be a dead-giveaway that the wood sample in question is a solid, genuine chunk of wood taken from a tree.

Viewing the end of this “board” reveals its true identity: particleboard.

Is it veneered? 

If you see a large panel that has a repeating grain pattern, it may be a veneer. In such cases, a very thin layer of real wood is peeled from a tree and attached to a substrate; sometimes the veneer can be one continuous repeating piece because it is rotary-sliced to shave off the veneer layer as the tree trunk is spun by machines. Assuming it is a real wood veneer with a distinct grain and texture—and not merely a piece of printed plastic—you may still be able to identify the outer veneer wood in question, but you should still realize that is it only a veneer and not a solid piece of wood.

Large repeating patterns suggest a veneer.

Is it painted or printed to look like wood? 

Many times, especially on medium to large-sized flat panels for furniture, a piece of particleboard or MDF is either laminated with a piece of wood-colored plastic, or simply painted to look like wood grain. Many of today’s interior hardwood flooring planks are good examples of these pseudo-wood products: they are essentially a man-made material made of sawdust, glues, resins, and durable plastics.

2. Look at the color.

Some questions to immediately ask yourself:

Is the color of the wood natural, or is it stained?

If there is even a chance that the color isn’t natural, the odds are increased that the entire effort of identifying the wood will be in vain.

The reddish brown stain used on this piece of Jatoba (Hymenaea courbaril) has been planed away on top, exposing the paler color of the raw wood underneath.

Is it weathered or have a patina?

Many woods, when left outside in the elements, tend to turn a bland gray color. Also, even interior wood also takes on a patina as it ages: some woods get darker, or redder, and some even get lighter or lose their color; but for the most part, wood tends to darken with age.

Fresh sanding near the end of this Osage Orange (Maclura pomifera) board has exposed the characteristic yellow coloration of the wood, which has a strong tendency to shift down to a golden brown over time.

Is it possible to sand or plane the board to see the natural raw color of the wood?

The most predictable baseline to use when identifying wood is in a freshly sanded state. This eliminates the chances of a stain or natural aging skewing the color diagnosis of the wood.

3. Observe the wood grain.

If the wood is unfinished, then look at the texture of the grain. Ask yourself these questions:

Does the wood have an open, porous texture?

Most softwoods will be almost perfectly smooth with no grain indentations, while many common hardwoods have an open pore structure, such as oak or mahogany; though there are some hardwoods that are also smooth to the touch, such as maple.

Can you tell if the wood is quartersawn or plainsawn?

By observing the grain patterns, many times you can tell how the board was cut from the tree. Some wood species have dramatically different grain patterns from plainsawn to quartersawn surfaces. For instance, on their quartersawn surfaces, lacewood has large lace patterns, oak has flecks, and maple has the characteristic “butcher block” appearance.

Is there any figure or unusual characteristics, such as sapwood, curly or wild grain, burl/knots, etc.?

Some species of wood have figure that is much more common than in other species: for example, curly figure is fairly common in soft maple, and the curls are usually well-pronounced and close together. Yet when birch or cherry has a curly grain, it is more often much less pronounced, and the curls are spaced farther apart.

Curly Maple (sealed)
The strong, tight curl seen in this wood sample is very characteristic of Maple (Acer spp.).

4. Consider the weight and hardness of the wood.

If it’s possible, pick the piece of wood up and get a sense of its weight, and compare it to other known wood species. Try gouging the edge with your fingernail to get a sense of its hardness. If you have a scale, you can take measurements of the length, width, and thickness of the wood, and combine them to find the density of the wood. This can be helpful to compare to other density readings found in the database. When examining the wood in question, compare it to other known wood species, and ask yourself these questions:

Is the wood dry?

Wood from freshly felled trees, or wood that has been stored in an extremely humid environment will have very high moisture contents. In some freshly sawn pieces, moisture could account for over half of the wood’s total weight! Likewise, wood that has been stored in extremely dry conditions of less than 25% relative humidity will most likely feel lighter than average.

How does the wood’s weight compare to other species?

Taking into account the size of the board, how does its weight compare to other benchmark woods? Is it heavier than oak? Is it lighter than pine? Look at the weight numbers for a few wood species that are close to yours, and get a ballpark estimate of its weight.

A piece of Lignum Vitae is weighed on a small digital scale.

How hard is the wood? 

Obviously softwoods will tend to be softer than hardwoods, but try to get a sense of how it compares to other known woods. Density and hardness are closely related, so if the wood is heavy, it will most likely be hard too. If the wood is a part of a finished item that you can’t adequately weigh, you might be able to test the hardness by gouging it in an inconspicuous area. Also, if it is used in a piece of furniture, such as a tabletop, a general idea of its hardness can be assessed by the number and depth of the gouges/dings in the piece given its age and use. A tabletop made of pine will have much deeper dents than a tabletop made of Oak. Additionally, you can always try the “fingernail test” as a rough hardness indicator:  find a crisp edge of the wood, and with your fingernail try to push in as hard as you can and see if you’re able to make a dent in the wood.

5. Consider its history.

Many times we forget common sense and logic when attempting to identify wood. If you’ve got a piece of Amish furniture from Pennsylvania, chances are more likely that the wood  will be made of something like black walnut or cherry, and not African wenge or jatoba. You might call it “wood profiling,” but sometimes it can pay to be a little prejudiced when it comes to wood identification. Some common-sense questions to ask yourself when trying to identify a piece of wood:

Where did it come from?

Knowing as much as you can about the source of the wood—even the smallest details—can be helpful. If the wood came from a wood pile or a lumber mill where all the pieces were from trees processed locally, then the potential species are immediately limited. If the wood came from a builder of antique furniture, or a boat-builder, or a trim carpenter: each of these occupations will tend to use certain species of woods much more often than others, making a logical guess much simpler.

Despite its discoloration and wear, it’s very likely that this rolling pin is made of hard maple.

How old is it?

As with the wood’s source, its age will also help in identification purposes. Not only will it help to determine if the wood should have developed a natural patina, but it will also suggest certain species which were more prevalent at different times in history. For instance, many acoustic guitars made before the 1990s have featured Brazilian rosewood backs/sides, yet due to CITES restrictions placed upon that species, East Indian rosewood became a much more common species on newer guitars. (And this is a continuing shift as newer replacements are sought for rosewoods altogether.)

How large is the piece of wood?

Some species of trees are typically very small—some are even considered shrubs—while others get quite large. For instance, if you see a large panel or section of wood that’s entirely black, chances are it’s either painted, dyed, or stained: Gaboon ebony and related species are typically very small and very expensive.

What is the wood’s intended use?

Simply knowing what the wood was intended for—when considered in conjunction with where it came from and how old it is—can give you many clues to help identify it. In some applications, certain wood species are used much more frequently than others, so that you can make an educated guess as to the species of the wood based upon the application where it was used. For instance, in the United States: many older houses with solid hardwood floors have commonly used either red oak or hard maple; many antique furniture pieces have featured quartersawn white oak; many violins have spruce tops; many closet items used aromatic red cedar, and so forth. While it’s not a 100% guarantee, “profiling” the wood in question will help reduce the number of possible suspects, and aid in deducing the correct species.

6. Find the X-Factor.

Sometimes, after all the normal characteristics of a sample have been considered, the identity of the wood in question is still not apparent. In these instances—particularly in situations where a sample has been narrowed down to only a few possible remaining choices—it’s sometimes helpful to bring in specialized tests and other narrower means of identification.

The following techniques and recommendations don’t necessarily have a wide application in initially sorting out wood species and eliminating large swaths of wood species, but will most likely be of use only as a final step in special identification circumstances.

Odor

Believe it or not, freshly machined wood can have a very identifiable scent. When your eyes and hands can’t quite get a definitive answer, sometimes your nose can. Assuming there is no stain, finish, or preservative on or in the wood, quickly sand, saw, or otherwise machine a section of the wood in question, and take a whiff of the aroma.

Although new scents can be very difficult to express in words, many times the scent of an unknown wood may be similar to other known scents. For instance, rosewoods (Dalbergia spp.) are so named for their characteristic odor that is reminiscent of roses. Although difficult to directly communicate, with enough firsthand experience scents can become a memorable and powerful means of wood identification.

Fluorescence

While certain woods can appear basically identical to one another under normal lighting conditions, when exposed to certain wavelengths—such as those found in blacklights—the wood will absorb and emit light in a different (visible) wavelength. This phenomenon is known as fluorescence, and certain woods can be distinguished by the presence or absence of their fluorescent qualities. See the article Fluorescence: A Secret Weapon in Wood Identification for more information.

Black Locust: fluorescence (under blacklight)
Black Locust (Robinia pseudoacacia) glows a bright yellow-green when placed under a blacklight.

Chemical Testing

There are only a small number of chemical tests regularly used on wood, most of which are very specialized and were developed to help distinguish easily confused species with one another. They work by detecting differences in the composition of heartwood extractives. A chemical substance (called a reagent) is usually dissolved in water and applied to the wood surface: the surface is then observed for any type of chemical reaction (and accompanying color change) that may occur. Two of the most useful are the tests that are meant to separate Red and White Oak, and Red and Hard Maple.

Heartwood Extractives Leachability

Sometimes a wood species will have heartwood extractives that will be readily leachable in water and capable of conspicuously tinting a solution of water a specific color. For instance, the heartwood extractives contained in osage orange (Maclura pomifera) contain a yellowish-brown dye that is soluble in water. (This can sometimes be observed anecdotally when the wood is glued with a water-based adhesive: the glue’s squeeze-out is an unusually vibrant yellow.)

In a simple water extract color test, wood shavings are mixed with water in a vial, test tube, or other suitably small container, and the color of the water is observed after a few minutes. If the heartwood extractives are leachable by water, then a corresponding color change should quickly occur.

In addition to osage orange (Maclura pomifera)merbau (Intsia spp.), and rengas (Gluta spp. and Melanorrhoea spp.) are also noted for their readily leachable heartwood extractives. Because this property is quite uncommon, it can serve to quickly differentiate these woods from other lookalikes.

7. Look at the endgrain.

Perhaps no other technique for accurate identification of wood is as helpful and conclusive as the magnified examination of the endgrain. Frequently, it brings the identification process from a mostly intuitive, unscientific process into a predictable, repeatable, and reliable procedure.

Looking at the endgrain with a magnifier shouldn’t be a mystifying or esoteric art. In many cases, it’s nearly as simple as examining small newsprint under a magnifying glass. There are three components necessary to reap the full benefits contained in the endgrain:

I. A prepared surface.

When working with wood in most capacities, it becomes quickly apparent that endgrain surfaces are not nearly as cooperative or as easily worked as face grain surfaces. However, in this case, it is absolutely critical that a clear and refined endgrain surface is obtained.

For a quick glance of a softwood sample, a very sharp knife or razor blade can be used to take a fresh slice from the endgrain. However, in many denser species, especially in tropical hardwoods, one of the best ways to obtain a clear endgrain view is through diligent sanding. It’s usually best to begin with a relatively smooth saw cut (as from a fine-toothed miter saw blade) and proceed through the grits, starting at around 100, and working up to at least 220 or 320 grit, preferably higher for the cleanest view.

II. The right magnifier.

It need not be expensive, but whatever tool is used to view the endgrain should have adequate magnifying power. In most instances, 10x magnification is ideal, however, anything within the range of 8 to 15x magnification should be suitable for endgrain viewing. (Standard magnifying glasses are typically in the range of 2 to 4x magnification.)

These stronger magnifiers, sometimes called loupes, usually have a smaller viewing area than standard magnifying glasses. Fancier models—with built in lights, or larger viewing surfaces—are available at a premium; but the most basic models are usually only a few dollars.

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III. A trained eye.

The third element that constitutes a proper endgrain examination is simply knowing what to look for. In analyzing the patterns, colors, shapes, and spacing of the various anatomical features, there is a veritable storehouse of information within the endgrain—all waiting to be unlocked. Yet, if these elements have not been pointed out and learned, the array of features will simply seem like an unintelligible jumble. The discipline of recognizing anatomical endgrain features is not easily summed up in a few sentences or even a few paragraphs, but it is nonetheless critical to the identification process. To this end, an in-depth look should be given to the various categories, divisions, and elements that constitute endgrain wood identification on the macroscopic level. (In this regard, macroscopic denotes what can be seen with a low-powered, 10x hand lens—without the aid of a microscope—rather than simply what can be seen with the naked eye.) Because the anatomy between softwoods and hardwoods is so divergent, each will be considered and examined separately:

Still stumped?

If you have a mysterious piece of wood that you’d like identified, you’ve got a few options for next steps:

USDA’s Forest Products Laboratory

You can mail your physical wood samples to the Center for Wood Anatomy Research

Pros:

  • Free
  • Professional wood identification

Cons:

  • Only available to US citizens
  • Slow turnaround times (up to a month or more)
  • Limited to three IDs per year

See their Wood ID Factsheet for more info.

Alden Identification Service

You can mail your physical wood samples (even small sections taken from antiques) to Alden Identification Service.

Pros:

  • Professional wood identification
  • Faster turnaround times (ranging from a few days to a week or two)

Cons:

  • Paid service

See their ordering page for more info. (Note that Harry Alden has written several books while at USDA, including both Hardwoods and Softwoods of North America.)

Ask for help online

If the wood ID is merely a curiosity, or non-critical, you can post pictures of the wood in question.

Pros:

  • Free
  • No need to send physical samples

Cons:

  • Greatly limited by the quality of the pictures provided
  • Extra work usually required to get adequate clarity in photos

See article of Common US Hardwoods to help find the most commonly used woods.

Get the hard copy

wood-book-standupIf you’re interested in getting all that makes The Wood Database unique distilled into a single, real-world resource, there’s the book that’s based on the website—the Amazon.com best-seller, WOOD! Identifying and Using Hundreds of Woods Worldwide. It contains many of the most popular articles found on this website, as well as hundreds of wood profiles—laid out with the same clarity and convenience of the website—packaged in a shop-friendly hardcover book.
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Chris

Could someone please identify this wood? When I was cleaning out my father’s house after he passed a couple of years ago, I found several pieces just like this, all of equal size (4″x6″), finished with beveled corners. It very well may be stained, I just don’t know. He was an amateur woodworker, so that would explain why he had them, but I only took one block as a curiosity. Please don’t tell me if it is rare or valuable as the rest of the pieces are now gone forever (j/k).

Wood weight
Fairly light (like pine)
Distinct wood odor?
I don't know
Geographic region
USA
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Elle

I’ve been trying to sand (using random orbital sa der) the painted finish off of our wooden fireplace mantle and it is taking forever. What’s mostly left now are some white paint spots and black spots I can’t identify. Can you tell from these pics what type of wood this might be? Also, any idea about the black areas?

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
Yes
Geographic region
Chicago
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Steve

Sorry just one more comment. By clear grain, in my comment below I mean distinctive grain. I’ve looked around at some samples and I was wondering if this was oak?

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
No
Geographic region
Western Australia
Steve

Hi all. This is a very interesting article. This chair has a clear grain I think. Located and probably made in Australia. Does anyone have any idea of what it might be made of? Thanks if you can help.

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
No
Geographic region
Western Australia
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Emily

Here are four of the pics from my comment—upload didn’t work the first time.

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
No
Geographic region
Chicago
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Emily

This is a cross section I cut off the base of a chair leg from a very weathered outdoor chair. The dust from sawing/sanding is a brownish color. I sanded it and wiped it off with water, so the pictures I’m attaching include the wood when it’s wet, and also as it’s drying. (I can specify which is which if needed). There’s another picture of one of the legs after sawing, as well. Given how weathered the wood is, I can’t know if it originally had an odor. It just doesn’t now, though. Same goes for sinking in water—I don’t… Read more »

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
No
Geographic region
Chicago
Caitlin

Bought this table from someone who picked it up at an estate sale and then refinished it. The seller says they were told it was from the 1960s – but then again everyone wants MCM furniture, so who knows. The table is stamped “MADE IN JAPAN” and is quite heavy – took more than a bit of effort for my partner and I to move it, though I can’t say I actually tested if it would sink in water!

Wood weight
Extremely heavy (sinks in water)
Distinct wood odor?
No
Geographic region
Seattle, WA
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Efstathios Sideris

Hi everyone, just trying to identify what sort of wood that is! Thanx

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
I don't know
Geographic region
Berlin
IMG_20210720_132805.jpg
Corinna Staub

Hello, any idea what kind of wood this might be? The next to last pic is the underside of the table. Thank you

Wood weight
Fairly light (like pine)
Distinct wood odor?
No
Geographic region
Virginia
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Corinna Staub

Thank you for your reply, Eric!

Karl Gustav

Hi there,

Any help with identifying this type of wood ? It’s not light-weight, it’s rather solid and the legs of this table have a spot-like, line-like pattern. When sanded and unvarnished it is very light in color. It also had no significant or noticeable smell when it was sanded.

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
I don't know
Geographic region
Namibia
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Lisa Marie Simmons

Anyone know what kind of wood this is?

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
No
Geographic region
Houston,Texas
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Melanie

Hello, I hope someone can help me identify the type (or types) of wood used to make this vanity. There’s a Schuster’s Milwaukee sticker inside and it had bakelite handles so I believe it would have been made sometime between 1930 – 1961 and is handmade. The wood weight varies. The drawers and doors are much heavier than the actual frame. I didn’t refinish the inside so I took photos from there. The first one is the inside of the back panel and appears to be unfinished. The rest have the original finish. The second one is the inside of… Read more »

Wood weight
I don't know
Distinct wood odor?
No
Geographic region
Purchased at a store in Milwaukee Wisconsin
Back Panel Inside - Unfinished.jpg
Door Inside - Original Finish.jpg
Drawer Inside- Original Finish.jpg
Inside Cabinet Section - Original Finish.jpg
Gwen

Hello, any idea what wood this would be ?

Wood weight
Extremely heavy (sinks in water)
Distinct wood odor?
I don't know
Geographic region
Montreal, Canada
Daniel

I just moved into a new home and want to figure out what type of wood was used on the doors, which appear to be relatively new. I’d like to use the same type of wood to build a floating beach inside. Any idea what this might be?

Wood weight
Fairly light (like pine)
Distinct wood odor?
No
Geographic region
Colorado
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Juian Spooner

Any idea what this is it is quite heavy and v.hard, was part of a pallet for something heavy but don’t know what or where ftom

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
No
Geographic region
Unsure
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Juian Spooner

Do you know what wood this is, it’s hard but quite light

Wood weight
Fairly light (like pine)
Distinct wood odor?
No
Geographic region
UK?
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CLAIRE

Hi …my belief is that this is carved ironwood…am I correct?

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
Yes
Geographic region
West Midlands
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LSM

Can someone ID this please? Australian made. Fairly heavy. Durable. I think it’s a hardwood.

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
I don't know
Geographic region
Australia
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Janet

Uncovered this hardwood flooring in a 150 plus year old structure … cannot identify . Any help is appreciated ! Thanks so much

Wood weight
I don't know
Distinct wood odor?
Yes
Geographic region
Ohio
Janet

Attaching pics again ?

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Rick

Hello all, I need to know what kind of wood this is. Very tight grain, pretty heavy and definitely a hardwood. I apologize if the pictures don’t show enough, I can try to get a closer pic but I’ve already stained it. Any help would be appreciated, generally speaking most hardwood guitars are ash or alder, I’m just not sure what this is.

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
No
Geographic region
Not sure
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Rick

Well thanks Eric, I appreciate the input lol

Goran

2 buildings – roof beams.

Wood weight
I don't know
Distinct wood odor?
I don't know
Geographic region
Michigan
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Goran

Meant to add that I am trying to identify the type of wood. The buildings are from 1900s, but the roofs seem to have been updated recently.

Last edited 23 days ago by Goran
Cassie

I’m trying to figure out what type of wood this bench is. It was originally a bench in a Nashville train station and has been in the family for 40+ years. It’s heavy and I can’t make a mark with my fingernail. I’d like to remove the finish but would like to know what it’ll look like underneath first.

Wood weight
Extremely heavy (sinks in water)
Distinct wood odor?
I don't know
Geographic region
Nashville TN
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Will

Can you help me with what type of flooring this is? House was built in 1967. I believe this is original flooring that has never been refinished and was under carpet for decades. It is solid wood tongue and groove 2.25” planks

Wood weight
I don't know
Distinct wood odor?
No
Geographic region
Virginia
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Skylar

Got a few pieces of this from a friend who took it out of his attic when he was redoing his 1910 house. Would love to know what kind of wood this is so I can figure out the best projects for it.

Wood weight
Fairly light (like pine)
Distinct wood odor?
I don't know
Geographic region
Florida
Last edited 26 days ago by Skylar
Mia

Hello, this salad bowl is very heavy – 3.5 pounds, however I don’t know if it sinks in water but I believe it would. It’s 5″ high, 13.75″ in diameter. Dark (stain?) outside, light (stain?) inside. No clue where it’s from or what the wood is; I’m inquiring! Thank you in advance for information.

Wood weight
Extremely heavy (sinks in water)
Distinct wood odor?
No
Geographic region
absolutely no idea
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Lisa

Pictures didn’t post on the original thread. Would like to identify. I would love to restore this beauty. I plan on placing in my kitchen and trying to figure out the best way to refinish. The door came from Louisiana the hardware dates to 1930’s. The door is heavy.

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
No
Geographic region
Louisiana
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Lisa

Hello. Can you tell me what type of wood this is. We purchased these today for our kitchen. The place where we purchased it does a lot with reclaimed wood. The original length was 10ft and at least 2” high. The owner of the reclaimed wood place gets a lot his wood from barns in upper mid west.

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Jess

I am refinishing a dresser and sanded off all the (horrible) paint as finish from the drawer fronts, I am wondering what type of wood the veneer is.
The darker portions have an almost grey undertone and the middle, lighter portions have a bit of a yellow undertone, both are still a bit dusty from my sanding though.

Wood weight
I don't know
Distinct wood odor?
No
Geographic region
Ontario, Canada
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Jess

Thanks! I’ve sanded off the paint and finish that was on this piece, the lighter wood is very dry, the darker wood is beautifully smooth though.

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Kim

Would like to identify this wood

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
No
Geographic region
Canada
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Shoshana

I have tongue in groove hardwood flooring I am trying to identify, in my home, circa 1930’s, in Montreal, Canada. Boards are stamped “perfection made in Canada”. I’m guessing Birch, but not sure. Some areas I uncovered (under the ceramic, plywood and vinyl over layers!! Horrors!! ) are damaged, so I would like to identify the species so I can replace just those sections, then sand it all down and stain anew. The boards are 2. 25″ generally in width, and 3/3″ thick. Finish is very worn out in some areas, more warm in others. Can u tell what wood… Read more »

Wood weight
Fairly heavy (like oak)
Distinct wood odor?
I don't know
Geographic region
Montreal Canada
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Andrew

Hi Eric and Others I have an antique table (circa 1850s) for which I am trying to determine the wood type. Photos sent to antique dealers yielded suggestions of Australian (Red) Cedar and “Rosewood” without further clarification of the latter. The same dealers suggested the table origin to be Australian or English. From your site information, I think I can rule out the Red Cedar. There is no exposed raw endgrain, but the table feet do show some of the pore, ray and parenchyma characteristics your site references, albeit under a finished surface. I cannot detect any particular smell. I… Read more »

Wood weight
I don't know
Distinct wood odor?
I don't know
Geographic region
unknown
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