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Common Name(s): Cuban Mahogany, West Indies Mahogany Scientific Name: Swietenia mahogani Distribution: Southern Florida and the Caribbean Tree Size: 65-100 ft (20-30 m) tall, 3-5 ft (1.0-1.5 m) trunk diameter Average Dried Weight: 37 lbs/ft3 (600 kg/m3) Specific Gravity (Basic, 12% MC): .53, .60 Janka Hardness: 930 lbf (4,120 N) Modulus of Rupture: 10,790 lbf/in2 (74.4 MPa) Elastic Modulus: 1,351,000 lbf/in2 (9.31 GPa) Crushing Strength: 6,280 lbf/in2 (43.3 MPa) Shrinkage: Radial: 3.0%, Tangential: 4.6%, Volumetric: 8.0%, T/R Ratio: 1.5 |
Color/Appearance: Heartwood color can vary a fair amount with Cuban Mahogany, from a pale pinkish brown, to a darker reddish brown. Typically, the denser the wood, the darker the color. Color tends to darken with age. Mahogany also exhibits an optical phenomenon known as chatoyancy. (See video below.)
Grain/Texture: Grain can be straight, interlocked, irregular or wavy. Texture is medium and uniform, with moderate natural luster.
Rot Resistance: Varies from moderately durable to very durable depending on density and growing conditions of the tree. (Older growth trees tend to produce darker, heavier, and more durable lumber than plantation-grown stock.) Resistant to termites, but vulnerable to other insects.
Workability: Typically very easy to work with tools: machines well. (With exception to sections with figured grain, which can tearout or chip during machining.) Slight dulling of cutters can occur. Sands very easily. Turns, glues, stains, and finishes well.
Odor: No characteristic odor.
Allergies/Toxicity: Although severe reactions are quite uncommon, Cuban Mahogany has been reported as a skin irritant. See the articles Wood Allergies and Toxicity and Wood Dust Safety for more information.
Pricing/Availability: For the most part, Cuban Mahogany is no longer commercially available. Very small quantities are occasionally made available, which tend to be expensive.
Sustainability: This wood species is in CITES Appendix II, and is on the IUCN Red List. It is listed as endangered due to a population reduction of over 50% in the past three generations, caused by a decline in its natural range, and exploitation.
Common Uses: Furniture, cabinetry, turned objects, veneers, musical instruments, boatbuilding, and carving.
Comments: Historically, perhaps the most celebrated and revered cabinet and furniture wood in the world. Cuban Mahogany has been used extensively in cabinetry and furniture-making for centuries in Europe and the United States, being harvested to the point of complete depletion. Nearly 100 years ago, H.O. Neville wrote of the wood’s exploitation in his 1919 work, Hardwoods of Cuba:
For domestic purposes, the Mahogany is used in such freedom that it seems sacrilege to the newcomer from the North, who has known this wood only in its finished and very expensive forms. Many hundreds of cords of this timber, ranging from 12 inches in diameter down, are annually burned under the boilers of our sugar mills and locomotives: hundreds of trees of the proper sizes are annually cut down and rough-hewed into railroad ties; and for posts, corralled fences, and the myriad other uses of the plantation, Mahogany is utilized. There will come a day not very far distant when the waste of this valuable timber will be regretted.
In 1946, Cuba banned all exporting of the wood due to over-harvesting and high demand; it has also been in scarce supply from other sources in the Caribbean as well. Today, the lumber has become so obscure that the term “Genuine Mahogany” now applies almost exclusively to its close substitute, Honduran Mahogany (Swietenia macrophylla), rather than the Cuban wood that for centuries has simply been referred to as “Mahogany.”
Cuban Mahogany’s easy workability, combined with its beauty and phenomenal stability have made this lumber an enduring favorite.
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I’m hoping to identify the type of mahogany this is. The carvings and wood sample are possibly from the early 1900’s.
The sample has been sanded to 220 grit and is unfinished. The endgrain photo is best viewed enlarged and of the lower right hand corner.
There is no noticeable odor.
I appreciate any help you can provide.
Yes, judging by the pics, and also considering the age of the item, it does appear to be a genuine Swietenia species.
Do you think this might be “genuine mahogany “?
It was a windowsill from a 1920’s building in Chicago.
Yes, it’s certainly very probable. The endgrain matches well.
3rd pair from Italy/Switzerland
I need help identifying some paired samples:
1st pair is Flat/Riff Sawn (sealed but not filled) and End Grain – my guess is Red Meranti. It comes from an old futon frame
2nd pair is Riff Sawn and End Grain (slighted wetted) – possibly African Mahogany? Found in the attic of a house we bought in VA, USA
3rd pair is Riff Sawn and End Grain (both sanded) It was part of the interior frame of an Italian/Swiss couch.
No noticeable odor for any sample
I picked up an end table for $5 that was really beaten up. After stripping and standing (was stained to the darkness of walnut), I’m wondering if it’s Cuban mahogany, but I’m newish to wood identification. Is anyone able to confirm? See the unfinished, in progress, and finished (clear shellac only) photos. Thanks in advance
Genuine mahogany is a possibility. But it could also be African mahogany or an Asian species in the Shorea genus. Getting a closer image of an endgrain surface (such as the top of one of the legs) might help give more clues for identification. Also, you can take a look at my article on mahogany for more info. https://www.wood-database.com/wood-articles/mahogany-mixups-the-lowdown/
Eric, thanks for your response. Very interesting. Here are a few more shots – but not a lot of areas to see the endgrain. I was originally thinking Santos Mahogany due to the color but there was no odor when sanding.
The raw wood color is too pale for santos mahogany, it looks a lot closer to Honduran or African mahogany. Judging from the endgrain pics, I don’t see any marginal parenchyma, which would hint more toward a Khaya species (African mahogany).
Very interesting! Thanks for the information, makes me appreciate the table even more.
Recently my mother inherited some 100+ year old wood that used to be a piano case. I’m not sure what kind it is, though Cuban or Honduran mahogany seems a good possibility. Any opinions? See attached.
That actually looks like oak, not mahogany.
positive thats White Oak
I am a retired furniture restorer. One of my best customers brought in a round table 61.5 inches in diameter. She asked me to refinish the table. First thing I do is become a detective. I found out her grandmother bought this after the stock market crash. Round top circular base claw feet hand carved . This table wad made before 1880. This was one piece of lumber 5 feet in diameter 1 and 1/4 thick Cuban mahogany she had records of the vessel coming over to Florida with the furniture. I knew when I saw it but I had… Read more »
Did you by chance take any pictures of this piece? Sounds interesting.
No sorry I lost a few hundred photos buy a computer wiz who deleted 30 years of work
I have the pleasure to work with this wood.
For me the Cuban mahogany is the kind of mahogany’s.
The weight of 37 lbs/ft3 seems wrong to me.
Cuban is More dense than Honduran mahogany . I have both.
The tone of this wood is incredible. ???
Salvaged handrail and balusters from a 100-140 year old house look like Mahogany but the latewood(?) is very dark rather than the whitish in these photos. The rays and pores look just like this photo.
I’ve flipped through the entire book and don’t see anything that more closely resembles it than this, except for that color.
The wood is darker than the samples shown here.
Could the color change be a result of age?
Mahogany is highly variable in both weight and color, so I wouldn’t use that as a basis of ID. Have you seen this article? https://www.wood-database.com/wood-articles/mahogany-mixups-the-lowdown/
Thank you for the reply. Can you offer suggestions on distinguishing S. mahogani, S. macrophylla, and Carapa spp.? I see differences in the endgrain photos but can’t describe them.
I am not aware of any discernible differences between the Swietenia species. I’m guessing that any variability that you’re seeing can be chalked up to natural variability between different trees and growing conditions. As for andiroba (Carapa spp.), it is harder to tell them apart, but generally andiroba has slightly darker reddish brown parenchyma bands, while the bands in Swietenia are lighter in color and contrast against the surrounding wood fibers more.
In the representative photos of endgrain here, it appears that the Swietenia species have thicker parenchyma, perhaps even typically significantly thicker/wider than the rays. The Carapa endgrain photo shows parenchyma with very uniform width similar to the width of the rays. Does that hold in general or just the particular samples shown?
I’d guess the parenchyma bands in this photo are a bit wider than average.
Are there ever dark bands in Swietenia? This sample is from the old house so it may have been installed 140-160 years ago. This is from a painted stair post so I haven’t seen much edge grain. It also appears to have reticulated parenchyma- does old mahogany develop that characteristic?
I’m not sure I would call that full blown reticulate parencyhma, it might be more like diffuse-in-aggregates or just banded. And no, this is not something seen in Swietenia species, so this casts doubt on ID. For what it’s worth, diffuse porous hardwoods like this are about the hardest of all wood types to ID.
That helps a lot, thanks.
Are the dark bands also a disqualifier for Swietenia species?
I’ve seen a lot of natural color variation in the wood fibers, so I don’t think that alone would be a disqualifier.
I am a wood sculptor and have used a few different species of Mahogany over the years, for me the smell of Cuban Mahogany is very distinctive, I can only describe the smell as ‘old pianos’, other types don’t seem to have the same odour, or at least not the ones I have used. I hope this helps.